Seifert, Susan C
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Publication Cultural Participation and Distributive Justice(2002-07-01) Stern, Mark J; Seifert, Susan CExpanding cultural participation has been an important goal of cultural policy, among both public and private policymakers, over the past half century. In its work with the Urban Institute from 1996 to 2006, the Arts and Culture Indicator Project (ACIP) took a unique approach to the issue in its emphasis on overcoming historically-based exclusion and giving voice to cultural expression by ethnic minorities and poor communities. This paper builds on ACIP’s approach, first, by making explicit the policy question--that is, what are the consequences of cultural expression for distributive justice? The authors then draw on SIAP research in Philadelphia to examine the ways in which different forms of cultural participation connect with indicators of social inequality. They found that much of mainstream cultural expression actually reinforces social inequality. However, two parts of the cultural sector—the “alternative” regional cultural sector and the community cultural sector—show more promise in providing resources for historically disenfranchised groups and marginal neighborhoods. The paper concludes that, if public support of cultural expression is justified on its promotion of social justice, these sectors would likely provide the best opportunities for addressing this goal.Publication Culture and Community Revitalization: A Framework for the Emerging Field of Culture-Based Neighborhood Revitalization(2011-08-01) Stern, Mark J; Seifert, Susan CThis summary flyer provides an overview of the publications produced as part of the Culture and Community Revitalization project. The SIAP - Reinvestment Fund collaboration was undertaken from 2006 to 2008 with support by the Rockefeller Foundation. http://repository.upenn.edu/siap_revitalization/Publication Divergent Paths--Rapid Neighborhood Change and the Cultural Ecosystem(2017-12-01) Seifert, Susan C; Stern, Mark JThis paper considers the impact of rapid neighborhood change on the cultural ecology of Fort Greene and surrounding Brooklyn neighborhoods based on qualitative study undertaken during 2016 for the NYC project. The paper argues that rapid neighborhood change causes an attenuation of the organic neighborhood connections among artists, creative businesses, cultural organizations, and cultural participants—that is, the neighborhood cultural ecology. Cumulatively these changes in cultural ecology further weaken the neighborhood ecosystem and introduce an additional source of inequality with respect to the wellbeing of the City’s communities. In response to rapid neighborhood change, different cultural agents find themselves on divergent paths as they respond to challenges and seize opportunities. The paper identifies and illustrates four trajectories: 1) the uprooted and replanted—organizations and individuals for whom rapid neighborhood change has made their existing modus operandi and/or location untenable; 2) flourishers—organizations and individuals that have been able to benefit from the economic and social effects of a neighborhood undergoing rapid change; 3) adaptors and transplants—organizations and individuals, both locals and outsiders, that have devised survival strategies in the face of increasing challenges; and 4) new growth—new cultural entities that have seen the emergent ecology as an opportunity. These trajectories, posed as more a set of hypotheses than a set of findings, are based on approximately 40 interviews conducted during 2016 and supplemented by references from those interviews.Publication Migrants, Communities, and Culture(2008-01-01) Stern, Mark J; Seifert, Susan C; Vitiello, DomenicNew immigrants have already changed Philadelphia's cultural scene—particularly in urban neighborhoods. This brief uses three types of evidence— a small-area database of cultural participation, a survey of residents of North Philadelphia and Camden, NJ, and a survey of artists living or working in the metropolitan area—to explore migrant cultural engagement. Taken together, SIAP’s evidence on artists and cultural participants paints a portrait of migrants and foreign-born residents who are positively oriented toward cultural expression but frustrated by institutional, spatial, and socio-economic barriers. Can culture serve as a means of linking new Philadelphians to other social institutions?Publication Cultural Asset Mapping Project: Progress Report(2012-12-01) Stern, Mark J; Seifert, Susan CThis report describes SIAP work undertaken from December 2011 to December 2012 as part of the Philadelphia cultural asset mapping project. SIAP research and data analyses underway, in collaboration with Reinvestment Fund, included: a cross-sectional analysis of associations between cultural assets and social and community indicators by neighborhood; a time-series of the geography of cultural assets between 1997 and 2010, using SIAP’s historical database; and a Philadelphia livability/social inclusion index that links information on cultural assets with other community indices on neighborhood vitality and social wellbeing.Publication CPAA Evaluation: Interim Findings(2006-07-01) Stern, Mark J; Seifert, Susan CThis presentation is a summary of SIAP’s interim report on the Knight CPAA evaluation. The report has three parts: an assessment of the relationship of cultural participation and serious crime in North Philadelphia; an update on levels of cultural participation in North Philadelphia and Camden; and the findings of a set of interviews with grantees and others involved in CPAA.Publication Community Partners in Arts Access Evaluation: Final Report(2009-06-01) Stern, Mark J; Seifert, Susan CThis research report evaluates the John S. and James L. Knight Foundation Community Partners in Arts Access (CPAA) initiative to expand cultural participation among residents of North Philadelphia and Camden, NJ. The initiative had two phases. From September 2003 to December 2004, Knight invited 35 cultural organizations to participate in a planning process with a focus on organizational capacity, audience development, and action plans to broaden, deepen, and diversify participation. In December 2004, Knight awarded grants to 19 organizations to carry out their action plans over the next three years. The final evaluation report concluded that CPAA met its goals. Both regional and benchmark participation rates had increased from the beginning to the end of the initiative. By 2008 the gap between levels of cultural participation in North Philadelphia and Camden and the rest of the metropolitan area had been reduced significantly. This conclusion, however, belies the complexity that attended the initiative as it unfolded. Knight began CPAA in 2003 with an orthodox theory of organizational capacity building but by 2006 had shifted its focus to community transformation, and grantees had to rethink their projects. SIAP maintained its evaluation design: waves of grantee and regional participant data-gathering; a survey of artists living or working in North Philadelphia and Camden; and ongoing interviews and participant-observation with CPAA grantees. The qualitative record allowed SIAP not only to document what actually happened but also to make sense of changing theories of action during the course of the initiative.Publication Knight Creative Communities Initiative (KCCI) Evaluation: Interim Report(2007-12-01) Stern, Mark J; Seifert, Susan CDuring the summer of 2007, SIAP was asked by the Knight Foundation to undertake a process evaluation of its Creative Communities Initiative (KCCI) underway in Charlotte, North Carolina; Duluth, Minnesota/Superior, Wisconsin; and Tallahassee, Florida. This memo reports on initial findings of the experience of KCCI participants from catalyst selection in March through October 2007. The memo begins with an overview of the logic of KCCI and then examines participants’ experience of the initiative using a chronological structure: the selection of catalysts, the initial two-day seminar, the organization of the action or initiative teams, and the history of the teams to this point. The memo closes with general observations about participants’ perceptions of the initiative.Publication Arts-Based Social Inclusion: An Investigation of Existing Assets and Innovative Strategies to Engage Immigrant Communities in Philadelphia(2010-09-01) Stern, Mark J; Seifert, Susan CThis document reports on a study of the role that arts and culture play in Philadelphia’s migrant communities—that is, Puerto Rican and foreign-born residents and their families, including children born in the U.S. The project explored the concept of “arts-based social inclusion”—the idea that organizations and artists use culture and the arts as a means to improve the life circumstances of new Philadelphians and integrate them more fully into community life. The study confirmed that arts-based social inclusion is a productive perspective with which to make sense of this work. The report first examines the changing presence of the foreign-born in Philadelphia from 2000 to 2007 as a context for the study. The authors then discuss findings based on fieldwork conducted during the spring and summer of 2010. Two cross-cutting themes emerged from interviews with practitioners. One is that a cultural perspective provides a broader, multi-dimensional way—beyond economic need—of thinking about the process of social inclusion. At the same time, cultural practitioners working with migrant communities repeatedly run up against conventional notions about nonprofit organizational structure and capacity. The report describes a five-part typology of existing models pursued by cultural practitioners: cultural space development, community organizing, institutional networks, school-based programming, and culturally-sensitive social service. The conclusion offers guidelines for philanthropy interested in a holistic, bottom-up approach to building the arts' capacity to engage immigrant communities.Publication The Social Wellbeing of New York City's Neighborhoods: The Contribution of Culture and the Arts(2017-03-01) Stern, Mark J; Seifert, Susan CThis research report presents the conceptual framework, data and methodology, findings and implications of a three-year study of the relationship of cultural ecology to social wellbeing across New York City neighborhoods. The team gathered data from City agencies, borough arts councils, and cultural practitioners to develop a 10-dimension social wellbeing framework—beginning with construction of a cultural asset index—for every neighborhood in the City’s five boroughs. The social wellbeing tool enabled a variety of analyses: the distribution of opportunity across the City; identification of areas with concentrated advantage, concentrated disadvantage, and “diverse and struggling” neighborhoods with both strengths and challenges; and analysis of the relationship of “neighborhood cultural ecology” to other features of community wellbeing. Major findings include: 1) Cultural resources are unequally distributed across the city, with many neighborhoods having few resources. 2) At the same time, there are a significant number of civic clusters—that is, lower-income neighborhoods with more cultural resources than their economic standing would lead us to predict. 3) Although lower-income neighborhoods have relatively few resources, these neighborhoods demonstrate the strongest relationship between culture and social wellbeing. Notably, if we control for socio-economic status and ethnic composition, the presence of cultural resources is significantly associated with improved outcomes around health, schooling, and personal security. Qualitative study highlighted how neighborhood cultural ecology also contributes to other dimensions of wellbeing—in particular, social connection, political and cultural voice, and the public environment and public sphere.